Naturally, I considered the modern media influence on the
appearance of the BEKs. By the early
2000s, the effect had been used in film and television. Most notable to those with an interest in the
paranormal was the effect’s use in the X-Files.
A ‘black oily alien substance’ was seen invading human bodies and taking
them over. As part of the process, the
victim’s eyes would turn solid black.
Bear in mind, this effect was not in common use at the
time. Since then, it’s seen constantly
in movies and television to represent aliens, demons, vampires and a host of
other supernatural beings. I find it
interesting that solid black eyes are used to such extent in portraying a range
of strange beings but it automatically communicates an evil or negative
presence so filmmakers make full use of it.
Still, people with sharp eyes often send me images that I
was unaware of that relate to the BEKs.
Recently, I received one that I found particularly fascinating. It came from Jason Scott who emailed me with
a question;
“Were you aware that there is a picture reference of the
Black Eyed Children in 'Close Encounters of the Third Kind’?”
Turned out there was.
Jason sent a screen shot of the relevant scene. Admittedly, I still wasn’t sure so I got the
film out and went to the scene myself; I had to see it in the actual
movie. I could hardly believe it but, sure
enough, there it was. The image is a painting
hanging on the wall in Roy’s (Richard Dreyfuss) home. Oddly, the image is at an angle and the BEK
in the painting appears to be leaning into the scene. As you can see from the photo and the
enlargement, the painting is clearly a child with oversized black eyes.
Close Encounters came out in 1977. BEKs were hardly a topic on anyone’s mind at
that point so what exactly is the point of this picture? Was there a popular mass produced painting
during the time that depicted such a child?
If so, I have yet to locate it. Perhaps
Spielberg put it there as a subtle connection to the grays that would appear by
the end of the film but, if so, even that is a weird coincidence when we
consider the popular alien hybrid theory connected to the children. Watching the scene, I also find it odd that
one of the boys stands behind Roy and leans sideways like a mirror image of the
child in the painting.
If you'd like to see the relevant section yourself, the scene begins just after the first half hour or so of the movie (depending on the cut you have).
That's a different kind of BEK - The typical Big-eyed kid. These paintings of sad, big-eyed waifs were very common in the 60s. This one looks like the work of Margaret Keane. Google image search her name along with big eyed kid, and you will see many similar to this.
ReplyDeleteWhy the white snout? Are we sure it's not some kind of clown painting?
ReplyDeleteThe painting may be this one, or a variation on this: http://img0.etsystatic.com/009/0/5469183/il_570xN.447807936_4a38.jpg
ReplyDeleteSomewhat reminiscent of Walter Keane's big-eyed art from 30 years ago... Creepy.
ReplyDeleteAmused at how young Teri Garr was then but weren't we all?
Michael, see today's post, Walter Keane's work was actually done by his wife Margaret.
ReplyDeleteThanks for all the comments, the Keane connection has been explored in today's post.
ReplyDeleteThe painting is titled, "The Lookout".
ReplyDeleteIt is definately the one lisa-d posted above. It just looks like they cropped off some of it. Who is the artist of it?
ReplyDelete